Blues Brilliance: A Dive into Mississippi MacDonald’s “Do Right, Say Right”

Review by Glen Parkes

Immerse yourself in the depths of the blues, and you’ll find it’s not just a musical genre but a profound journey that resonates with the very essence of human experience. In the realm of blues music, Mississippi MacDonald stands as a beacon, not merely a performer, but a living embodiment of this soul-stirring art form. To encapsulate the blues in its purest form, one need look no further than MacDonald’s latest album—a masterpiece that speaks volumes of the genre’s raw emotion and heartfelt storytelling.

Originating from the vibrant music scene of London, Mississippi MacDonald’s affinity for the blues runs deep, ingrained in him from birth with a guitar as his constant companion. Influenced by legends like Albert King, Albert Collins, and Freddie King, MacDonald doesn’t just play the blues; he channels its very soul. His journey through the blues circuits of the United States, rubbing shoulders with icons such as B.B. King and Pinetop Perkins, infuses his music with a level of authenticity that is palpable.

The album in question, “Do Right, Say Right,” initially introduced to the world in 2021, serves as a testament to MacDonald’s mastery of the craft. This re-release, under the banner of APM Records, is adorned with five bonus tracks, enriching an already compelling collection. With the rhythmic backbone provided by Elliot Boughen on bass and Mark Johnson-Brown on drums, the ethereal harmonies of Lucy Dearing, and the meticulous production of Phil Dearing, MacDonald’s musical vision is brought to life with a vibrancy that is palpable.

From the opening strains of “I Was Wrong,” the listener is enveloped in a sonic tapestry that is equal parts poignant and haunting. The interplay of horns and MacDonald’s soulful guitar work sets the stage for an emotive journey through love and loss. Tracks like “Someone Doesn’t Appreciate My Blues” and “All the Complaining in the World Can’t Hurt Me” showcase MacDonald’s defiance in the face of adversity, his guitar solos serving as a testament to his unwavering resolve.

“Drinker’s Blues” delves into the struggles of an afflicted soul seeking solace at dawn, painting a poignant picture with Lucy’s backing vocals and MacDonald’s soulful delivery. His guitar solos resonate deeply, expressing anguish and catharsis.

“Drinker’s Blues” delves into the depths of despair, with MacDonald’s impassioned delivery augmented by Lucy Dearing’s haunting backing vocals. Each note is imbued with a rawness that cuts straight to the soul, evoking a sense of empathy and understanding. “Let Me Explore Your Mind” sees MacDonald venturing into soulful territory, his lyrical prowess matched only by his virtuosity on the guitar.

As the album progresses, MacDonald’s introspective journey unfolds with a sense of urgency and purpose. “That’s It, I Quit” lays bare his frustrations with the rigours of the gigging life, while “If You Want a Good Cup of Coffee” serves as a playful ode to the simple pleasures of the blues.

The bonus tracks included in this release further elevate the album’s depth and complexity. From the poignant storytelling of “Your Wife is Cheating on Us” to the collaborative masterpiece “Ballad of Pat Hare,” MacDonald’s versatility as a musician shines through with splendid clarity.

In its entirety, “Do Right, Say Right” is more than just an album; it is a testament to the enduring legacy of Mississippi MacDonald as a true bluesman. To immerse oneself in its depths is to embark on a transcendent journey through the heart and soul of the blues—a journey that is as enriching as it is unforgettable.