Review By Halina Wegner
Kelsey Michael’s debut solo album, ‘Lethowsow’, transports listeners to the magical wilds of West Cornwall with a set of self-penned, piano-based songs that celebrate song and voice. With influences from classic ’60s and ’70s artists like Laura Nyro and Carole King, mixed with a contemporary art-pop edge, Michael’s sonic vision is both nostalgic and fresh. This blend has garnered attention from notable figures such as radio presenter Gilles Peterson and has been featured in Uncut magazine, placing Michael firmly in the spotlight of the emerging Cornish folk scene.
Track-by-Track Review
1. Gry Maritha
Opening the album is “Gry Maritha,” a song that serenades the Isles of Scilly freight ship with rhapsodic style. The track’s lush arrangement and Michael’s evocative vocals create a vivid picture of the ship’s journeys, intertwining folklore with personal narratives. The Gerry & The Pacemakers meets The Carpenters vibe sets a high bar for the rest of the album.
2. Music Of The Waves
The first single from the album, “Music Of The Waves,” is a cinematic breath of air influenced by Jobim and Morricone. This track features beautiful Cornish place names and imagery of hedgerow, shore, and moors. Guest vocalists MAY (Michael’s daughter) and Maria Heseltine, along with Ben Kypreos on acoustic bass and Greg Dyer on percussion, contribute to its fresh, airy sound. The song’s delightful melodies and rich textures make it an immediate standout.
3. Mounts Bay Morning
“Mounts Bay Morning” is a joyous follow-up effort featuring Angeline Morrison and Maria Heseltine. The song’s upbeat tempo and motivational lyrics urge listeners to seize the moment, embodying the spirit of action and adventure. With its infectious energy and vibrant arrangement, this track is a call to embrace life’s opportunities.
4. Tide Comes In
“Tide Comes In” addresses rural poverty in Michael’s hometown of Penzance, yet finds cause to celebrate the resilience and community support networks often invisible to visitors. The track’s poignant lyrics and soulful delivery provide a stark yet hopeful look at the challenges and strengths of small-town life. The ebb and flow of the tides serve as a metaphor for life’s ups and downs, offering a sense of stability and continuity.
5. The Crossing
At just 1:19, “The Crossing” is a brief, instrumental interlude that serves as a musical palette cleanser. Its gentle piano and subtle ambient sounds evoke the serene yet powerful presence of the Cornish landscape. This track provides a moment of reflection before the album dives back into its more narrative-driven songs.
6. Swimming
“Swimming” invites listeners to wade into the waves and cool off the heat deep inside. Featuring stunning harpist Benjin Musiq, this track’s watery glissando and soothing vocals create an immersive experience. The song’s calming effect and beautiful instrumentation make it a highlight, embodying the therapeutic nature of water.
7. Washing Line
Closing the album is “Washing Line,” a song that finds beauty in small domestic moments. Featuring exquisitely phrased guest vocals from Angeline Morrison, the track reflects on the simple act of hanging clothes on the line as a metaphor for gaining perspective and letting go of obstacles. This final song offers musical headspace and a moment of calm, providing a perfect ending to the album.
Final Thoughts
‘Lethowsow’ is a stunning debut from Kelsey Michael, offering a rich tapestry of piano-based songs that celebrate the elemental forces of nature and human resilience. Michael’s evocative storytelling, combined with her soulful voice and the album’s lush arrangements, create an immersive listening experience. Each track is a journey, taking listeners through the landscapes and emotions of West Cornwall. This album is a testament to Michael’s talent as a songwriter and musician, and it firmly establishes her as a significant voice in contemporary folk music.
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