Review By Glen Parkes
Robert DeLong’s fourth full-length album, Playlist of Doom, released on September 13 via Round Hill Records, marks a bold and raw chapter in his career. Originally from Seattle but now based in Los Angeles, DeLong has consistently pushed boundaries as a songwriter, producer, and multi-instrumentalist. This new album, however, stands out for its emotional depth and unfiltered honesty, paired with the inventive soundscapes that have come to define his style.
The album kicks off with “SLOWLY,” a track that immediately sets the tone with its electronic flourishes and melancholic undertones. DeLong’s introspective lyrics come through clearly, offering a window into his mind while the pulsing beats drive the song forward. It’s an apt opener that pulls listeners into the complex emotional landscape that the album explores.
One of the standout moments comes with “soft boy,” a track that blends pop sensibility with electronic experimentation. DeLong’s vocals are smooth yet tinged with vulnerability, a theme that runs throughout the album. This song, like much of Playlist of Doom, is filled with cleverly-crafted lyrics that speak to self-reflection and identity.
The collaboration with Pahua on “Deserve It All” is another highlight. The song pairs DeLong’s intricate production with Pahua’s vibrant vocals, creating a seamless fusion of styles that feels both fresh and dynamic. The layers of electronic elements, mixed with a soulful touch, make this track one of the more infectious moments on the record.
“HeadRush” continues the exploration of emotional intensity, with its fast-paced tempo and relentless energy. The electronic beats mirror the song’s lyrical exploration of anxiety and the overwhelming pace of life. This is a track that will resonate with anyone who has ever felt caught in the whirlwind of modern existence.
One of the album’s most poignant tracks is “2 Of Us,” featuring LYell. The collaboration brings out a softer side of DeLong’s songwriting, as the song’s gentle melodies and heartfelt lyrics reflect on themes of connection and love. LYell’s voice blends beautifully with DeLong’s, making this song one of the emotional peaks of the album.
The title track, “PLAYLIST of DOOM,” feels like the album’s centerpiece, a sonic manifesto that encapsulates the themes of disillusionment and self-awareness. The electronic production is sharp and intricate, with DeLong experimenting with darker tones while maintaining his signature melodic touch. It’s a bold and thought-provoking track that ties the album together thematically.
The second half of the album is no less compelling. “Sweet Talker” offers a lighter, more playful sound, while “Makeshift Paradise” juxtaposes bright synths with darker lyrical content, creating a compelling contrast. DeLong’s ability to blend contrasting elements is one of his strengths, and this track showcases it well.
“Fatal Flaw (Livin’? Alright!)” is an anthemic moment that feels both introspective and triumphant. The lyrics wrestle with existential questions, yet the music soars with hope, leaving the listener with a sense of catharsis.
The album closes with “GOD 1.9,” a reflective, almost meditative track that feels like a fitting conclusion to DeLong’s journey through Playlist of Doom. The song’s understated production allows the lyrics to take center stage, ending the album on a note of quiet contemplation.
Overall, Playlist of Doom is a masterful blend of electronic innovation and emotional honesty. Robert DeLong’s ability to craft intricate soundscapes while laying bare his personal reflections makes this album one of his most compelling works to date. Each track is meticulously produced, yet the rawness of DeLong’s emotions shines through, creating a listening experience that is both thought-provoking and deeply relatable. For fans of electronic pop and experimental music, Playlist of Doom is an essential listen.
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