Review By Halina Wegner
Dean Owens, the celebrated Scottish singer-songwriter, continues to explore new sonic landscapes with The Ridge Trilogy—a series of three EPs that set the stage for his upcoming full-length album The Spirit Ridge, slated for release in February. The second EP, Ridgeline, just released on September 27, brings the unique mix of folk, Americana, and a hint of mysticism that fans of Owens have come to expect, blending influences from his previous work with Calexico and his recent Italian collaboration with Don Antonio.
Ridgeline opens with Light This World, a track that carries the warmth and reflective lyricism characteristic of Owens. The song feels like an invitation to hope, with its steady rhythm and comforting melody, giving the EP an optimistic start. It’s followed by On The Ridge, a beautifully crafted tune with sweeping acoustic guitars and emotive vocals that transport listeners to wide-open landscapes, possibly inspired by Owens’ time in Arizona and Italy alike.
Come With Me continues the journey with a more intimate vibe, pairing Owens’ weathered voice with a more introspective tone, offering a plea for connection. It’s a track that demonstrates his ability to tug at the heartstrings with simplicity, yet profound emotion.
The EP concludes with The Buzzard and the Crow (demo), a haunting and stripped-back offering that reveals Owens’ raw songwriting talent. Even in its demo form, the song carries weight and a sense of spiritual contemplation, a perfect fit for this chapter in The Ridge Trilogy.
Overall, Ridgeline serves as a testament to Dean Owens’ artistry—blending heartfelt storytelling, haunting landscapes, and his ever-evolving collaborations. Like the Desert Trilogy that led to Sinner’s Shrine, The Ridge Trilogy teases what’s to come, leaving listeners eagerly awaiting the full unveiling of The Spirit Ridge.
4o
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