“Seven Hours After Violet: A Supergroup’s Stunning Self-Titled Debut”

Review By Halina Wegner

When you gather some of the most creative and talented minds in heavy music, the result is bound to be extraordinary. Seven Hours After Violet is a prime example of that, and their self-titled debut album, released on October 11th via Sumerian Records, proves to be a sonic triumph. Featuring a lineup that reads like a dream team of alternative metal, the band is spearheaded by Shavo Odadjian (System of a Down), with Taylor Barber (Left to Suffer) on vocals, Morgoth (Winds of Plague) on guitar and production, Alejandro Aranda (Scarypoolparty) on guitar and backing vocals, and Josh Johnson (Winds of Plague) on drums.

From the very first track, “Paradise,” it’s clear that Seven Hours After Violet is not here to play it safe. This opener, clocking in at a tight three minutes, establishes the album’s tone with a blend of aggressive riffs, Barber’s ferocious vocal delivery, and Odadjian’s unmistakable bass grooves. The production, courtesy of Morgoth, is crisp and layered, creating a soundscape that is both expansive and intimate.

Taylor Barber, known for his guttural roars in Left to Suffer, brings a new level of intensity and versatility to his performance on this record. On songs like “Alive” and “Cry…,” his range is on full display, shifting seamlessly between harsh growls and melodic passages. Barber’s vocal performance is truly the beating heart of the record, perfectly matched by Aranda’s emotionally charged backing vocals and intricate guitar work.

One standout track is “Float,” where the band dips into atmospheric territory, blending haunting melodies with a slow-burning intensity that builds to a cathartic climax. Here, Alejandro Aranda‘s influence shines, as his background in alternative and indie rock brings a unique flavor to the band’s metal foundation. Josh Johnson’s drumming is precise and thunderous, driving the track with a controlled fury that highlights the album’s dynamic nature.

The album’s diversity is one of its strengths. Tracks like “Go!” and “Abandon” are short, sharp bursts of aggression, while songs like “Gloom” and “Radiance” offer more introspective moments, proving that Seven Hours After Violet is not just a band of heavy hitters but one capable of delivering deep emotional resonance. The closing track, “Feel,” is a fitting end to the album, wrapping up the project with a powerful blend of emotion and heaviness that leaves a lasting impact.

Lyrically, the album explores themes of isolation, existentialism, and personal struggle. These aren’t new topics in the realm of metal, but the way Seven Hours After Violet presents them feels fresh and relatable. Tracks like “Sunrise” and “Glink” pack a punch both sonically and lyrically, with Barber’s delivery ensuring that every word hits hard.

Shavo Odadjian’s influence is undeniable, not just in his signature bass lines but in the overall cohesion of the record. It’s clear that this project was a labor of love, with each member bringing their own strengths to create a sound that feels both familiar and groundbreaking. The production is top-notch, thanks to Morgoth, whose work behind the scenes ensures that every instrument and vocal line finds its place in the mix, creating a lush yet crushing soundscape.

In a time where supergroups often fall short of expectations, Seven Hours After Violet rises above, delivering an album that is both raw and polished, heavy and melodic. Their debut is an exciting, multifaceted release that showcases the immense talent and creativity of its members. Whether you’re a fan of alt-metal, metalcore, or experimental rock, this album has something for everyone, and it’s clear that Seven Hours After Violet is a force to be reckoned with in the modern metal scene.

4o