Lucie Sue’s “Battlestation” – A High-Voltage Declaration of Rock Sovereignty

Lucie Sue’s “Battlestation” – A High-Voltage Declaration of Rock Sovereignty

Review By Glen Parkes

Lucie Sue is no stranger to defying expectations. With her second album Battlestation—set for release on August 28th, 2025—this French rock force takes her sound to new, fearless heights. Alongside her bandmates Mitch, Laura, and Enzo, she delivers a record that is both a rallying cry for the unapologetic and a masterclass in genre-spanning, full-throttle energy. From start to finish, Battlestation doesn’t just play—it charges, kicks down the doors, and dares you to keep up.

The album’s title track, “Battlestation,” kicks things off with a brooding yet determined march. There’s a certain cinematic weight here, a sense that Sue and her crew are assembling for something monumental. Mitch’s guitar work cuts through with razor precision, while Laura’s bass lines provide the dark, steady pulse that anchors the song. Enzo’s drumming—tight and propulsive—pushes the track forward, setting the tone for the sonic assault to follow. It’s an opening statement that feels both ominous and empowering, a perfect thematic overture for the chaos and beauty ahead.

From there, “Hush” flips the mood into something sharp and urgent. Clocking in at just under three minutes, it’s a controlled detonation of tension. Lucie’s vocal delivery moves from a sly whisper to a full-throated roar, embodying the track’s volatile emotional core. You can almost hear the band holding the reins just tight enough to keep the track from exploding too soon—until, inevitably, it does.

One of the album’s undeniable standouts is “Ride the Wired Wild Tiger,” an instant rock anthem supercharged by a guest appearance from Satchel of Steel Panther. The track is pure electricity—frenzied riffs from Mitch, galloping bass from Laura, and drumming from Enzo that feels like a chase at full speed. Satchel’s shredding seamlessly weaves into Lucie’s commanding vocals, making it a wild, untamed highlight that feels destined for festival main stages.

Then there’s “Bela,” which brings a moodier, more atmospheric tone. The arrangement allows space for Lucie’s vocal phrasing to stretch and breathe, creating a haunting quality. The track’s restraint shows the band’s range, proving they can craft just as much tension in a whisper as they can in a scream.

The middle stretch of the album packs a particularly potent punch. “Bacha Boulou” is jagged and unpredictable, with a rhythm section that twists in unexpected ways. “Burn Your Candles” follows, its title hinting at its relentless pace—Enzo’s drumming here is a highlight, carrying an urgency that matches Lucie’s fiery delivery. “The Famous Last Words” hits like a bittersweet farewell wrapped in hard rock grit, Mitch’s melodic leads adding a layer of bittersweetness beneath the aggression.

Perhaps the most eyebrow-raising track title belongs to “I Will Shit Where You Sleep,” which, despite its provocative name, is more than just shock value. It’s a snarling, punk-inflected declaration of defiance—a chaotic storm of sound where the whole band locks into a primal groove. “Boring” follows in sharp contrast: short, fast, and anything but dull, it’s a pure adrenaline shot of raw rock minimalism.

“Knud” keeps the energy spiking, driven by Laura’s bass work that grinds with infectious momentum. Then comes “Reckless,” the album’s most recent single and an unapologetic anthem for the “bulldozer souls” of the world. Already climbing playlists, it’s a perfect representation of Battlestation’s ethos—bold, dynamic, and fearless. Lucie’s voice here is commanding, delivering each line like a battle cry, while the instrumentation crackles with barely contained fire.

As the album nears its end, “10 Minutes” stretches into one of the longer cuts, giving the band room to explore layered dynamics. It’s a track that evolves as it unfolds, from subdued beginnings to a full-band crescendo that feels like a victory lap. Finally, “Counter Clockwise” closes the record in surprising fashion—a lush acoustic piece that strips everything down to its emotional core. Lucie’s voice, raw and unguarded, floats above gentle guitar work, ending the album not with an explosion but with a resonant echo.

What makes Battlestation stand out isn’t just its variety of moods or its technical execution—it’s the sense of unity between Lucie Sue and her band. Mitch’s guitar work is versatile, able to cut, burn, or soothe depending on the moment. Laura’s bass lines often act as the band’s heartbeat, grounding even the wildest passages. Enzo’s drumming is a constant source of propulsion, equally capable of subtle textural shifts and all-out rhythmic assault. And at the center of it all is Lucie herself—a magnetic presence who commands with both voice and vision.

Raised on the raw spirit of 90s alternative and metal, Lucie Sue channels her influences without ever feeling derivative. Instead, she reclaims those sounds, infusing them with her own unapologetic style and sharp creative instincts. Her performance across Battlestation proves she’s more than capable of standing alongside the greats—whether she’s snarling over distorted riffs, crooning over delicate acoustics, or rallying a stadium-sized chorus.

With its blend of anthemic rockers, gritty punk moments, and emotionally charged ballads, Battlestation is an album that invites repeat listens. It’s a record that breathes, shifts, and claws its way into your memory, all while wearing its battle scars proudly. Lucie Sue, Mitch, Laura, and Enzo have crafted something fierce, dynamic, and unflinchingly authentic—a testament to the power of a band firing on all cylinders.

When Battlestation drops, it won’t just be another album release—it’ll be a declaration. Lucie Sue isn’t asking for a place at the table; she’s building her own fortress, and with this record, she’s daring the world to try and take it.