Review By Darren McIntyre, images by Scott Anderson
Susan Kay Quatro, aka Suzi Quatro, is a singer, songwriter, musician & actress from Detroit, Michigan, who has been thrilling audiences around the world for 62 years. Suzi was first drawn to music after seeing Elvis. When she was 6 years old, Suzi set about establishing herself in the music industry when she performed with her sisters in the all-female band. The Pleasure Seekers – it was there that Suzi was offered the chance to perform as a solo artist, and the rest, as they say, is history.

1973 sees Suzi release her self-titled album, which brought us classic singles ‘Can The Can’ & ‘Devil Gate Drive’, which gave her worldwide success. Suzi has had a long & distinguished career and has brought us 17 studio albums, which includes her latest release, Freedom; she has given us 10 compilation albums, 1 live album, and 52 singles; and she has sold in excess of 50 million records and has 6 JUNO Awards. To celebrate her incredible career Suzi is hitting the road to showcase her songs, tell stories and really get to know this incredible musician.
The Glasgow Royal Concert Hall is sold out, and this mainly middle-aged crowd are patiently waiting for the Queen of Rock ‘n’ Roll, Suzi Quatro, to hit the stage, with the buzz reaching fever pitch as the lights dim, the house PA fades and the band make their way to the stage. As Miss Suzi Quatro enters the stage in her double-denim getup and the applause erupts all around the venue, we let her get ready as she launches into
It was an honour, a privilege, and an absolute pleasure to witness true rock ‘n’ roll royalty as Suzi Quatro brought her electrifying live show to the iconic Glasgow Royal Concert Hall. With a career spanning over six decades, Quatro remains a force of nature—proof that age is no barrier when passion and talent burn this brightly.



From the moment the sold-out crowd settled into their seats, there was a palpable sense of anticipation in the air. As the lights dimmed and the band took their places, the roar that greeted Quatro—clad in her signature double denim—was nothing short of deafening. At 75, she doesn’t just walk onto the stage—she owns it.


Opening with the stomping classic “Wild One”, Quatro wasted no time in setting the tone. Her bass playing was as commanding as ever, driving the track forward with grit and swagger. Backed by a tight, dynamic band complete with brass section and backing vocalists, the sound was rich, full, and utterly captivating. This wasn’t just nostalgia—it was a masterclass in live performance.


“I May Be Too Young” followed, bringing a punchy rhythm section and infectious groove that had the audience on their feet. Quatro’s gravelly vocals remain remarkably powerful, cutting through the mix with clarity and attitude. Between songs, she shared stories and reflections, offering insight into her journey and adding a personal touch that made the night feel intimate despite the grand setting.



“Daytona Demon” was a standout moment, dripping with vintage energy as the crowd gleefully sang along. The brass section elevated the track, adding layers of texture that gave it a fresh, vibrant edge. Quatro’s stage presence is magnetic—she moves with confidence, connecting effortlessly with her audience, reminding everyone exactly why she earned her crown as the Queen of Rock ‘n’ Roll.


Tracks like “Tear Me Apart” and “Mama’s Boy” kept the momentum high, blending gritty guitar riffs with pounding rhythms. The band was in fine form throughout, each member contributing to a cohesive, high-energy performance that never faltered. Guitarist Tim delivered searing solos, while the rhythm section locked in tight grooves that underpinned Quatro’s relentless drive.

“I Bit Off More Than I Can Chew” showcased a funkier side of her sound, with smooth backing vocals and a laid-back groove that had the crowd swaying. This was followed by the timeless “Stumblin’ In”, a softer, more melodic moment that highlighted Quatro’s versatility. Her voice carried a warmth and sincerity that resonated deeply, drawing huge applause.


The pace picked up again with “48 Crash”, a raw, punk-tinged blast that reignited the room. Quatro’s basslines were thick and punchy, anchoring the track with authority. “I Sold My Soul Today” and “Slow Down” continued the high-energy assault, with the brass section adding a soulful punch that enriched the overall sound.
A particularly memorable moment came with her cover of Rockin’ in the Free World. Quatro made the track her own, infusing it with a heavier groove and her unmistakable vocal edge. The crowd responded in kind, rising to their feet in appreciation.


Closing the first set with “Can I Be Your Girl”, Quatro shifted gears entirely. Taking to the piano, she delivered a heartfelt tribute to her father—a touching, stripped-back performance that silenced the room. It was a beautiful, emotional moment that showcased not just her musical ability but also her depth as an artist.


Freedom kicks off the second half in style, with gritty riffs and Suzi’s driving bass setting the tone. The band’s energy is infectious, and the crowd responds in kind. Little Miss Lovely follows, introduced as Suzi’s “nickname”, bringing punchy, punk-edged vibes with a sultry groove and strong vocals.

Bad Moon Rising (Ain’t Ya Somethin) keeps things moving with its unmistakable riff, layered with rich instrumentation and a tight rhythm section. Fan favourite She’s In Love With You has the crowd clapping and singing along, while Shine A Light adds a more reflective moment, showcasing Suzi’s storytelling and connection with the audience.

Too Big delivers a jazzy, honky-tonk feel before a lively drum and bass solo energises the room. Classics Can The Can and Devil Gate Drive send the crowd into overdrive, celebrating Suzi’s legacy with huge singalongs and high energy. If You Can’t Give Me Love slows things slightly with a melodic, heartfelt touch before Sweet Little Rock n Roller ramps things back up to a roaring finish.
The encore, Singing With Angels, is a stripped-back, emotional tribute that brings the night to a powerful and memorable close.

What makes Suzi Quatro truly remarkable isn’t just her longevity—it’s her unwavering commitment to her craft. She doesn’t rely on past glories; she lives and breathes every note, every lyric, every moment on stage. This Glasgow performance was more than a concert—it was a celebration of a life dedicated to music.
For those lucky enough to be in attendance, it was a night to remember. A living legend, still at the top of her game, reminding us all why rock ‘n’ roll will never die.
Suzi Quatro –
Suzi – Vocals / Bass / Piano
Tim Smith – Guitar
Jez Davies – Keys
Toby Gucklhorn – Trombone
Tommy Schneller – Saxophone
Lee Vivian – Trumpet
Louise Hartley – Backing Vocals
Dionne Collins – Backing Vocals
Tim Reyland – Drums
Setlist –
Freedom
Little Miss Lovely
Bad Moon Rising
She’s In Love With You
Shine A Light
Too Big (Band Intro)
Bass Solo / Drum Solo
Can The Can
Devil Gate Drive
If You Can’t Give Me Love
Sweet Little Rock n Roller
Singing With Angels










































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